The Alignment Of Trumpets To Viols

First we note that the seven viols are poured out upon the earth, rather than upon the whole of the reference or "sun" octal. The static subgroup is omitted.

Rev 16:1 And I heard a great voice out of the temple saying to the seven angels, Go your ways, and pour out the vials of the wrath of God upon the earth.

The first viol is poured out on those that have the mark of the beast and worship its image on the earth. It reveals they are positioned in the four earthy elements in the sun octal. They are those that use the dialectic method within what should be the Lord's body. This viol is poured out upon the "false prophet" or church as it is in the end.

So the first viol is poured out in alignment to the devices of the first four seals, and then we expect the second viol to align to the same devices across the sea in the trumpets. However there is a distinction, because the first trump aligns to the method of construction of each antichrist "bow" in the first four seals. The seals represent an accumulation of these bow devices, and the first trump shows the octal solution for each single bow device.

Rev 16:2 And the first went, and poured out his vial upon the earth; and there fell a noisome and grievous sore upon the men which had the mark of the beast, and upon them which worshipped his image.

In solving for one bow as per the first trump, (as the restrainer is lifted) the remaining three bows that could be constructed in the same octal are brought into view as if they were the first three seals wherewith the heart fills the vacuum of the contradicting fourth. (Yet unity is sent to the empty set in that case.) In worshipping the image or having the mark, those that as antichrist are "in place of" or "oppose" (and count for nothing) the gospel have the first viol poured out upon their carnal "heart" shown here by receiving the sores upon their flesh.

The second viol corresponds to the devices in the trumps (i.e. the first three trumps) that align to the first four seals - we see this trump is properly poured out on the same devices; of "wormwood" in the sea corresponding to the system of the dialectic yet outside of the K4 groups of the sun octal.

Rev 16:3 And the second angel poured out his vial upon the sea; and it became as the blood of a dead man: and every living soul died in the sea.

Now, the blood of a dead man does not pump or circulate, Yet in the sea there is no sense of a unity element or sending a triple in the wormwood device to the empty set. We can not "hurt the oil and wine" in that respect other than to overlay the devices of the seals. The four subgroups or "bows" that align to form the wormwood triples and their "fills" become as if they were "empty sets" - and in their symmetry (as the devices of the seals are contradictory, inconsistent) so also are their sea dwelling counterparts logically. As every wormwood fill completes the other three in the device, symmetry counts each fill as arbitrary - each triple or "fill" in the wormwood device completes the remaining three, and in making the sea "empty" of life there is no truth in the system of wormwood. It is no longer a dwelling place - only the reference octal is left, in its 30 isomorphisms in seven symbols.

Alternatively the fourth fill of the "wormwood octal" shares one filled position with each of the other three, yet then the intersection of all four octals in the device is empty! (The blood does not circulate, it is "cut off".)

So, we now equate the "sea" in the wormwood device to those K4 groups that are not in our reference octal: there are 28 of these. (They form the prerequisite (unique) correspondences of "hail columns" or left handed octals as seen previously.)

That Christ is God and is sat at the right hand implies the left hand is actually empty - the wormwood sets are then null in the left hand, and simple association in the right hand makes the matter trivial. (The damage is done on the left rather than in the right.) Thus to have life in Christ is to be found in the groups of the reference octal and the 28 remaining ones in the sea (yet upon the earth by device) are "dead". If there is any living soul in the left hand then at this point backsliding is not acceptable under God's wrath.

The "blood of a dead man" shows the contradictory device of the fourth seal (as "Death") may be arbitrarily placed on the wormwood triples and their fills. In symmetry, when found to be practicing this paradigm; those that are apparently alive in Christ will find themselves excluded: that is, they become partakers of "her" plagues.

The third trump is poured out on the mixture of the previous two: the devices of living only in the four earthy elements as well as backsliding within the "sea". This system is the device in Daniel of "the ships of Chittim" or in revelation "that great city" in which the two witnesses were killed. We see the same construction with the serpents in the sixth trump.

The "rivers" correspond to the four left hand bows under the seven cycle of the reference octal, (4 x 7 =28 bows) and the remaining three elements of each octal are three groups of the reference octal, the waters over which the "fountains" would in truth operate: each fountain being the seven cycle of the original reference octal. As if (a,b,d,c,f,g,e) were acting downward on the row of groups:

(a,b,c), (a,d,e), (a,f,g), {b,e,f}, {c,e,g}, {b,d,g}, {c,d,f}

Where in (...) we have groups of the reference octal preserved by the seven cycle, and in {...} the groups of the 28 bows in the "sea".

Rev 16:4 And the third angel poured out his vial upon the rivers and fountains of waters; and they became blood.
Rev 16:5 And I heard the angel of the waters say, Thou art righteous, O Lord, which art, and wast, and shalt be, because thou hast judged thus.
Rev 16:6 For they have shed the blood of saints and prophets, and thou hast given them blood to drink; for they are worthy.
Rev 16:7 And I heard another out of the altar say, Even so, Lord God Almighty, true and righteous are thy judgments.

We see the third viol aligns the first two viols with each other as if it were upon the intersection (blood) of them both: the devices in the seals as well as the trumps. It is also in alignment with the third trump as the former two were with the first and second respectively.

Given a static subgroup and choice of unity the three groups of the reference octal above are fixed: this simply leaves the four groups in {...} as the remaining result. This fulfils the first four seals as devices

Conversely with the four in {...} as possible members of the left handed octal with respect to our original "Sun" octal as right, each column generated by {...} under the original seven cycle with say (b,d,f) and {c,e,g} static will generate a wormwood octal with the three fills of d = (b,e,f) = {a,c,g} and b = (c,d,f) = {a,e,g} and f = (b,d,g) = {a,c,e}. And this in accord with a = (b,d,f) = {c,e,g}. Using a different static subgroup in stead of {c,e,g} in the {...} will generate the other three octals in the wormwood device. (And all from the same row as above.)

Then the "rivers" and "fountains of waters" as possible left hands and the original seven cycle (holding static the appropriate triple) become a system that generates both the devices of the first four seals and the first three trumps.

So, the first three viols align easily with the first three trumpets. (We see the just judgement of God upon the same devices of the dragon - upon those that in effect give satan worship.)

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