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The Completion Of The Viols

The last four viols align rather simply to the last four trumps.

Rev 16:8 And the fourth angel poured out his vial upon the sun; and power was given unto him to scorch men with fire.
Rev 16:9 And men were scorched with great heat, and blasphemed the name of God, which hath power over these plagues: and they repented not to give him glory.

Now how may the viols all be poured out on the earth and yet this viol be poured out upon the sun? We know the sun is a reference point, or the reference octal. The seven K4 groups of the octal are true to the structure but the viol is to be poured out on the earthy portion - the coset of the static subgroup.

As the octal or "sun" is in view we would now also expect the unity element to be fixed. Thus we have one configuration of four that would appear to be completely proper as part of the "earth" and also as of "the sun". The viol is poured out not upon this particular unity element but it's corresponding antichrist "bow". We in effect have the system of the first seal in view: How does this relate to the fourth trump?

The fourth trump does display that the sea is not linked by operations of an octal group. Whilst there are certain linkages in the wormwood device, there is no "octal of octals" described in the text. Rather there is one octal in many isomorphic copies making "the sea".

That the name of God is blasphemed by those that are scorched shows that they are yet residing in the dialectic devices that would hurt the unity element - they are still caught in the system of the balances that sends that unity element to {}. In effect the heat scorches the men that yet try to set up their images, and the devices of the dragon require the wider sea to function: The loss of the sea to enable the devices to function as in the first three trumps reveals with the reward of blasphemy given in this viol why God's name is being blasphemed: They simply will not repent of their images, because they made their images to justify themselves rather than to acknowledge God.

The fifth viol is poured out on the seat of the beast - the fallen star with the key to the bottomless pit that enables the creation of transpositions to form S5 from the laodicean conglomerate, albeit missing 12 elements of S4 which it may not construct on the first four churches.

Rev 16:10 And the fifth angel poured out his vial upon the seat of the beast; and his kingdom was full of darkness; and they gnawed their tongues for pain,
Rev 16:11 And blasphemed the God of heaven because of their pains and their sores, and repented not of their deeds.

Now, without the key to the bottomless pit the "great city" reduces merely to the 12 elements of S4 that may be constructed by symmetries of the K4 form of the filter within the octal. Then all the light in the beast's kingdom is actually due to the Spirit of God, and the beast can not be found - it is full of contradiction. The image system is shown to be baseless, and is judged. (Which we see the angel later show John, for its detail.)

Those same denizens of the beast system blaspheme God because they not only have their sores upon them from the first viol, but they do not repent of their works in setting up these false images as judged by the second and third viols: They are scorched with heat still, they are with this trump clearly exposed as still blaspheming. In being made to gnaw their tongues for pain, in view is that they may only continue onward in their blasphemy. They having nothing but lies for their clothing before God, not the righteousness of fine white linen with the gospel of truth in Christ. Their whole system has been a lie, they have been found out.

The sixth viol is poured out on the wider path of Euphrates that corresponds to the serpents in the sixth trumpet.

Rev 16:12 And the sixth angel poured out his vial upon the great river Euphrates; and the water thereof was dried up, that the way of the kings of the east might be prepared.
Rev 16:13 And I saw three unclean spirits like frogs come out of the mouth of the dragon, and out of the mouth of the beast, and out of the mouth of the false prophet.
Rev 16:14 For they are the spirits of devils, working miracles, which go forth unto the kings of the earth and of the whole world, to gather them to the battle of that great day of God Almighty.
Rev 16:15 Behold, I come as a thief. Blessed is he that watcheth, and keepeth his garments, lest he walk naked, and they see his shame.
Rev 16:16 And he gathered them together into a place called in the Hebrew tongue Armageddon.

With the loss of the sea, and the loss of the ability to set up the image system, as well as the plagues and great heat poured out upon those that would set up the beast; we lastly have the wider path of Euphrates not seen before in the trumps, although it is similar to the case of the third viol.

The Euphrates simply shows the same set of octals as in the third viol - yet the water is dried up to prevent any spiritual exit from the reference or "sun" octal. This is the period of the seventh trump being ready to sound or to finish its voice, the time in which the mystery of God is finished. At this point it is amazing that no one repents.

The "way of the kings of the east" refers to the alignment of all 5040 = 7! arrangements of octals in seven symbols to the one isomorphic template of GF(8). Satan has a further attempt with three spirits that are "like frogs" (that dwell in water and land (sea and earth?) or at the boundaries of the two. )

At this point there is no sense of movement of the octal or the antichrist "bow". We could state that the way of the kings of the east holds fixed every octal without action of frobenius to cycle the static triples. Then those that dwell in rest (the elect) as unity are safe and those that do not dwell in heavenly places with Christ require these three animating frog-like spirits to counterfeit that operation.

The frogs operate on "the earth" coming out of the mouth of the false prophet as well as as if on the sea from the "beast". The dragon yet still hides behind the curtain - as if holding the triples fixed rather than merely static, as if he were yet capable of giving rest in counterfeit of Christ. These three frogs are required for the operation of the image - or rather the "mind of the ten kings" that strips the Church naked of righteousness. The frogs enable the kings to continue to facilitate the image keeping those tares within and the flock without. In gathering them into two camps the harvest of the earth is near-readied for reaping. (Jesus has come and stolen away all those that would keep their robes from being defiled.)

Rev 16:17 And the seventh angel poured out his vial into the air; and there came a great voice out of the temple of heaven, from the throne, saying, It is done.
Rev 16:18 And there were voices, and thunders, and lightnings; and there was a great earthquake, such as was not since men were upon the earth, so mighty an earthquake, and so great.

The last viol aligns neatly with the seventh trumpet. There is silence for half an hour, rather the coset of a static subgroup must be proven to be as the empty set: The viol is poured out into the air (spirit) and one seven cycle acting upon that static subgroup must simply transform the subgroup to itself. By symmetry and induction it requires the alignment and collapse of every possible octal to the one reference octal. (The mystery of God is completed.) The way of the kings of the east is simply to follow the one star, rather than 5040 of them!


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